Interview Directory 

ART

Name: Anna van den Hoevel

Occupation: Artist

When did you first realise that you could express yourself through art?

I have always felt a deep connection to the creative process, and for as long as I can remember, art has been a way for me to communicate and explore my inner world. It wasn't a specific moment, but rather a gradual realization that art allowed me to express emotions and ideas that words couldn't contain. I went to a Montessori school at the age of 12, where I had open art lessons and was able to begin to engage intensively with the use of a wide range of media and materials.

Studio, courtesy of the artist

Studio, courtesy of the artist

About fame: It's overwhelming. While it is very gratifying to see my work recognized and appreciated, I have always tried to focus on the creative process rather than external recognition.

What does the process of your work look like?

My process is one of exploration and constant dialogue between myself and the materials I use. I often start with a certain intention but let the work emerge organically. There is a rhythm—an ebb and flow—in which I experiment, erase, work and rework surfaces until something seems coherent. I start with a blank canvas and keep layering to create depth. I often incorporate materials such as earth, mortar and sand.

What role do natural materials play in your work?

Since my works depict the world from a bird's eye view, natural materials are an essential part of my work. They anchor my works in something tangible and often symbolize the connection between humans and nature. Materials such as earth pigments, wood and other organic elements help me create a sense of place and texture, creating works that are rooted in both history and nature. They are both medium and message in my art.

Is your inspiration said to be Antoni Tàpies?

I have great respect for Antoni Tàpies, especially for his use of texture and his exploration of materiality, which is deeply related to my own approach. However, although there are some formal or thematic similarities, I do not share the intention of imitating any particular artist. My work is influenced by a wide range of artists, historical periods and personal experiences. I want to have a dialogue with art history itself.

What is it like for you to have come to fame so early in your painting career and so quickly?

It's overwhelming. While it is very gratifying to see my work recognized and appreciated, I have always tried to focus on the creative process rather than external recognition. The journey of making art is a very personal one, and fame, while affirming, also brings pressure. It's important to find balance and stay true to my vision.

What was it like for you to hang in two important Chinese museums?

It was an incredible honor and a profound experience. Exhibiting my work in China has allowed me to connect with new audiences and understand how my art resonates in different cultures. This experience has opened up new perspectives to think about how art can bridge the gap between individuals and their environments. It was inspiring to see my works in dialogue with such a rich historical context.

Painting detail, courtesy of the artist

“Even though there were moments of uncertainty, the desire to create was always central to my life."

Did you always know that you wanted to be an artist?

Yes, I have had a natural inclination towards creativity since I was young. However, it took me a while to dare to go this route. Even though there were moments of uncertainty, the desire to create was always central to my life. Over time, I realized that it wasn't just a career choice, but a way of life.

How big a part has your Montessori education played in your life? 

My Montessori education was incredibly formative. I was encouraged to think independently, to question conventions and to find my own way. Even though I got this from my parents, my time at this school strengthened my independence. The focus on creativity, self-expression and practical learning has shaped my artistic sensibilities and given me a sense of ownership in my own development. I think this educational philosophy has helped me see the world in a more open, curious way.

“Travel has always been a constant source of inspiration. Living in different places, experiencing new cultures and immersing myself in different environments has broadened my horizons and deeply influenced my art.“

Have your frequent changes of location led to a different perspective? You write that you are still a restless traveller today?

Absolutely. Travel has always been a constant source of inspiration. Living in different places, experiencing new cultures and immersing myself in different environments has broadened my horizons and deeply influenced my art. The diversity of experiences has enriched my practice and encouraged me to experiment with new ideas and approaches. I think that “restless travel” keeps me open to change and discovery, both in my work and in my life.

You studied art in England. Is that a different education than in Germany?

Yes, the education systems in England and Germany are very different. In England, I was encouraged to develop a personal voice and to find a critical, conceptual approach to my work. The focus was more on individual expression and less on tradition or technology. In Germany, the emphasis was more on technical skills and classical methods. Both systems have contributed to my development as an artist, but the English system has definitely encouraged my conceptual thinking and encouraged me to experiment more. 

You also market yourself via social media - how important is that for you?

Social media is an essential tool for showcasing my work to a wider audience and connecting with people who might not otherwise discover my art. It allows me to show my process, interact with collectors and receive instant feedback from a global community. While I try not to let it dominate my time, I recognize that it plays a huge role in how my work is perceived in today's digital world.

“The creative process is often chaotic and uncertain, but that's where the magic often happens.“

What would be your advice to a budding artist?

My advice would be to stay true to your own voice and not be swayed by trends or outside influences. The creative process is often chaotic and uncertain, but that's where the magic often happens. Be patient, persistent and open to experimentation. Don't be afraid of failure—it's often the best way to learn. And most importantly, enjoy the journey of creating.

Maxim Wakultschik bei seinem Atelier ©L.F.